Thursday, December 6, 2007

Lighting Secrets

Almost as important as composition is the use of light. Here are some secrets for using light.



  • The best outdoors light to be found is at dawn and dusk. Here the light is not as bright as midday, and the sun produces some wonderful reds. Both these help to make a normally ordinary shot look magic by creating a warm glow.

  • When you are shooting outdoors, the best way to shoot is away from the sun. Don’t have the sun in your photographs because it will overpower the colors and ensure the side of your subject facing the camera is in shadow. Ensure the sun is behind your back.

  • Another thing to watch out for is that your subject doesn’t squint. We all love to see bright wide eyes, so ensure the sun isn’t too bright. This is another reason to shoot at dawn or dusk - you can have the subject facing the sun but not squinting… and you get much better colors in your image at the same time!

  • If shooting in sunlight, watch for shadows. Look at the shadow cast by your subject and ensure it doesn’t block anything, or look unsightly. Additionally, ensure your own shadow doesn’t fall into the picture!

  • The best night shots are taken just after sunset. This is where scenes are lit up as if it were night, but there is still a tiny bit of sunlight around to help light the scene and bring out the detail.

  • When indoors, try moving your lighting sources around. Lights at lower angles are usually more dramatic than plain overhead lighting.

  • Remember the secret about using your flash during the day? It’s also possible on most digital cameras to take night shots without a flash. Try setting your ISO speed to 800 or above to ensure the camera is sensitive to very low light.

  • Need to use the flash, but it’s a bit harsh? Try taping some wax paper over the flash to diffuse the light.

  • Want to light a very small object? If you’re using your macro setting to take a shot, cut up a plastic milk container and place it around the object. It will diffuse the surrounding light.

Wednesday, December 5, 2007

Tips for Taking Sports Images

Most of us have seen sports photos that capture the essence of the action - mostly in the sports sections of the newspapers. It’s normally pretty hard to create quality sporting photos because most of the time (for large events) you can’t get close enough to the action to capture the event properly. Would you like to be able to take those same quality images of your kid’s sports events? Read on.

Location

You need to get as close to what you are shooting as you can. Most press photographers are given specific places they can shoot from - and they pay for that privilege. I’m betting you don’t have a press pass and so will need to shoot from the stands. Get as close to the action as possible.
It also helps to know the sport you are photographing. Get into the correct location to enable you to “capture the moment”. Near the goal posts is usually a good spot for Football or Soccer.

Capture The Moment

Sports photography is mostly about timing. Be ready at the right place and be ready to shoot at the right time. Most sports have predictable moments - scoring a goal, getting a home run, shooting a basket. Be ready for when these moments happen.

Remember the following - “If you see the action, you missed it.” This basically means you need to anticipate the action. Don’t wait for the batter to hit the ball before pressing the shutter. If you do, the image will likely to be taken once the ball has been hit and has left the frame. Anticipate by holding the shutter release down half way (so the camera can focus and set the exposure level). Just before the ball is hit, press the shutter all the way down. Through experience, you will learn how much time beforehand you need to press the shutter.
Be aware that sports also have unpredictable moments, so keep a keen eye out for these and have your camera ready.

Sports Equipment

Having the correct gear is essential to great sports photography. Because most of the time you will be standing a long way from the action, you will almost certainly need a telephoto lens to enable you to zoom in. Because most good telephoto lenses are large and bulky, you should also think about a monopod (a tripod with only one leg). An optional piece of equipment is a flash with a high output but be aware that a lot of sports events do not allow flashes. Talk to an event official first to get the okay.

Focus

An out of focus shot is pretty useless. You should aim for every photo to be crisp and clear. Auto focus cameras do a very good job of this, and they usually focus pretty quickly. Many times, however, manual focus will work much better because the camera’s auto focus can take a long time to complete.

There are two ways you can focus your camera - Zone Focus and Follow Focus. Follow Focus is where you keep your camera on the subject, changing the focus as needed to ensure the subject stays in focus as they are moving around the court (or ground). This works well when most of your subjects are moving from side to side in your image - car racing, football and soccer are three examples.

Zone Focus is where you expect the action to take place at a specific position - eg a the basket ball ring or the jump point for a high jumper. Focus on the area you want to be sharp and wait for your athlete to move into the zone.

Composition

Faces. The face is the primary source of emotion, and because emotion is what makes a shot it’s vitally important to include faces in your digital images. It can be difficult to capture faces in some sports (fencing for example involves face cages, baseball caps create shadows on the players faces). Use a flash to fill in the shadows in these instances but remember the flash has a very limited range.

Use Vertical. Because the human form is taller than it is wide, it lends itself to a vertical composition. Rotate your camera 90 degrees so the height of your image is also larger than the width.

Rule Of Thirds. The Rule Of Thirds is also useful here. Divide the frame into thirds vertically and horizontally and place the subject where the lines intersect. Watch for where the player is moving too - if they are moving to the right, place them on the left third line and vice versa.
Take Individual Shots. Most professional photographs are of individuals so try to shoot one person at a time. Exceptions to this are when there is conflict - two players fighting for a ball.

Know Your Sport

Each sport has a different technique for getting the best images and it helps to know the key elements of your sport. Know the basic fundamentals of the game and be prepared for what may happen next. With 15 seconds to go with a basketball team two points down, they may try to shoot a basket from the opposite end of the court. Anticipating this will help immensely with your photographs.

It also helps to know the players. If a particular player does a victory dance after each touchdown, be ready for it when it happens.

Freezing Action Shots

Most of the time you want to freeze the action. People want to see people suspended in mid air, or in mid shot. To freeze the action you need a fast shutter speed. The faster the shutter speed, the better the freeze but the more light you need. Most of the time this won’t be a problem as a lot of sports are held outdoors. Set your camera to the fastest shutter speed possible.

The Illusion of Movement

It isn’t always the best thing to freeze-frame the action. Blurry images imply movement which helps in some sports. You don’t want a race car to appear to be standing still but having the car crisp while the background is blurry will help show that the car is moving fast.
Slow your shutter speed down and follow the subject (panning) with your camera. Try to keep your subject in the same position in the frame. This will blur the background and keep your subject sharply focused.

Emotion

Hands down Emotion is what makes fantastic photos. If there is no emotion, there is no desire to view a photo. Fortunately, sports participants who are exerting themselves exhibit emotion. The thrill of victory or the agony of defeat are both fantastic emotions to capture. But don.t forget the other chances for emotion to show: A high jumper preparing for the highest jump of his career; a cricketer batsman positioning a hit ball between two fielders; Even a junior hockey player getting the hair out of her eyes.

Oh, and crowd reactions also make fantastic shots. Don’t forget to turn your camera around every now and again and look at the crowd.

Take Safe Images

Although you want to try to take memorable shots at key points in the action, sometimes you just miss them. To ensure you have a record of the day, take a number of “safe” images that will show what happened, but may not have the emotion of that specific action shot. Take images of the players doing “what they do” in the sport. Eg a tennis player serving.

Take lots of images

Not every image you take will be a perfect shot capturing the action and emotion. Prepare for this and take as many shots as you can while at the event. It’s not unusual for professional photographers to take 100 shots during a match and only use two or three. Don’t just take any old shots though. Try to plan each one to capture a story or an emotion.
Taking memorable sports images can take time and effort, but with patience and a little knowledge, you too can produce sports magazine quality images.

Friday, November 30, 2007

Lighting Secrets

A lot of the secrets focussed on the composition of your image -where your subject was placed, and what was around it.


Almost as important as composition is the use of light.Here are some secrets for using light:


Lighting Secrets


Almost as important as composition is the use of light. Here are some secrets for using light.


*The best outdoors light to be found is at dawn and dusk. Here the light is not as bright as midday, and the sun produces some wonderful reds. Both these help to make a normally ordinary shot look magic by creating a warm glow.


*When you are shooting outdoors, the best way to shoot is away from the sun. Don’t have the sun in your photographs because it will overpower the colors and ensure the side of your subject facing the camera is in shadow. Ensure the sun is behind your back.


*Another thing to watch out for is that your subject doesn’t squint. We all love to see bright wide eyes, so ensure the sun isn’t too bright. This is another reason to shoot at dawn or dusk - you can have the subject facing the sun but not squinting… and you get much better colors in your image at the same time!


*If shooting in sunlight, watch for shadows. Look at the shadow cast by your subject and ensure it doesn’t block anything, or look unsightly. Additionally, ensure your own shadow doesn’t fall into the picture!


*The best night shots are taken just after sunset. This is where scenes are lit up as if it were night, but there is still a tiny bit of sunlight around to help light the scene and bring out the detail.


*When indoors, try moving your lighting sources around. Lights at lower angles are usually more dramatic than plain overhead lighting.


*Remember the secret about using your flash during the day? It’s also possible on most digital cameras to take night shots without a flash. Try setting your ISO speed to 800 or above to ensure the camera is sensitive to very low light.


*Need to use the flash, but it’s a bit harsh? Try taping some wax paper over the flash to diffuse the light.


*Want to light a very small object? If you’re using your macro setting to take a shot, cut up a plastic milk container and place it around the object. It will diffuse the surrounding light.

Wednesday, November 21, 2007

Canon's Best Point and Shoot Camera



Canon PowerShot SD850 IS 8.0 MP Digital Elph Camera with 4x Optical Image Stabilized Zoom

8.0-megapixel CCD captures enough detail for photo-quality 16 x 22-inch prints
4x Optical Image Stabilized zoom for steady, long zoom shooting
High-resolution 2.5-inch PureColor LCD with scratch-resistant, anti-reflection coating
Sensitivity range to ISO 1600 for sharper photos in low light
Print/Share Button for easy direct printing and downloading

Monday, November 19, 2007

Clean your Camera

It's very important to keep your camera clean, Reader.Dirty cameras and lenses can result in blurry and dustyimages. And can ruin potentially great images.Keep your camera clean by following these simple tips:

If your images always turn out all blurry, it may mean your lens needs a clean. Most high end cameras come with threads to which you can attach a SkyLight (or UV) filter. This helps to protect the lens from not only dirt, but scratches. Cheaper cameras don't have threads so remember to cover the lens when not in use and try not to touch it.

Don't clean the lens too often - depending on how often you use your camera, every few weeks or few months is fine. To clean your lens, pick up a lens cleaning kit from your local photo store. Use the lens brush and air blower to remove any loose clinging particles. Place a drop of lens cleaning fluid onto some lens tissue (or a cloth) and wipe the lens clean with a circular motion. Use the blower to dry the lens, or let it dry naturally. Don't use any abrasive solution (such as soap) or wipe too hard on the lens as you can wipe away the special coatings.

Watch out you don't create a 'worn spot' by cleaning your lens the same way each time. Alternate the circular motion with up and down or sideways movements sometimes.

Ensure you protect the other parts of your camera as well. Particularly the Memory Card slot and Battery contacts. If you find they have any corrosion, you can remove it easily with a pencil eraser. Make sure you remove the excess eraser that can get left in the compartment with an air blower. Never ever insert anything into the memory card slot that isn't meant to be there, as you could break the small pins. To keep clean, it's best to leave a memory card in the slot, or at least keep the cover closed.

Friday, November 16, 2007

Shooting Vacations

I love vacations! It's a great time to get out with the familyand either relax and enjoy some down time, or go sight seeingand discover new places.Almost everyone takes a camera on vacation, but not manyknow some great tricks for taking sensational vacation shots.

Here are some tips for helping with your vacation shots

Take plenty of memory!

Make sure you have extra memory cards, have another storage facility like a Laptop or media storage unit.

Get close

Don't stand too far from your subject - instead get nice and close so you can see their face. Either a three-quarter shot, or profile generally works well.

Candid counts

Images with people are usually more interesting when the subject is caught in a candid moment. When setting up for a posed shot, try to include something interesting to liven up the shot.
Make your trip a story. Create a visual diary by photographing landmarks along your journey such as signposts and street scenes. You can also capture the mood of the day - If you feel bright and happy, shoot some scenes which will capture that feeling. If you're moved by what you see, ensure your shots convey that feeling.

Take shots at meals

This is the time when family is gathered around. Take advantage of it by taking an image or two of your relatives around the dinner table. Ensure you use a the red eye reduction mode of your flash and activate the self timer if you also wish to be in the shot.

Include the mundane

Most vacation photographers just photograph landmarks and scenery. Make your vacation shots more interesting by including the mundane - washing the dishes, taking off in the car, setting up camp, waiting for an aeroplane etc.

Next Time : In our final secret, we'll explain secrets to avoiding blurry images.

Thursday, November 15, 2007

Look for Reflections

Water is one of the building blocks of life. But it's oftenunder-used in photography.


I don't know why! There's just so many great effects you cancreate with water.


Reader, learn about taking water shots here:


Water is a fantastic element to include in your photos, as the reflections it generates can make your image stand out.

Keep a look out for water around your environment when you shoot. Reflections from lights, or splashes of color can really help with the ambience of an image.

Rainy days are particularly good as puddles abound!

Extra Secret: Photographing just the reflection and leaving the subject out is a great way to produce abstract images.


Next time : Tricks and secrets for photographing on vacation.